Hi, I’m Eva.
If you’re impressed by my typing, wait until you read my writing.
I am a copywriter and creative director born, raised, and working in Brooklyn, New York. You name it, I’ve probably worked on it — including financial services, technology, insurance, casual dining, CPG, education, government, and hospitality, in conversation with both B2B and B2C audiences, on both agency and client side.
I am currently Creative Director at Hometap, a Boston-based fintech.
Before joining Hometap, I spent 7+ years at Manifest, a highly-awarded agency with offices in five cities, I led work on Fiserv/Clover, Aflac, the Paper and Packaging Board, GE HealthCare, AARP, MSC, Primrose Schools, agency branding, and lots of new business. I joined in 2018 to bring big idea thinking into a traditional content marketing agency, catalyze an organizational shift, and transform Manifest into the integrated, full-service agency it is today.
Prior to Manifest, I was Global Content Lead for IBM Services, IBM’s consulting arm. As part of the IBM Originals content team, my mandate was to introduce blue-bleeding lifelong IBMers to a more modern way to market. During my time there, I translated the complexities of digital transformation, partnered with branded content studios like The Atlantic’s Re:Think, and hunted down the most interesting stories buried within the sprawling global organization, like a program that trained neurodiverse individuals in app testing.
Before that, I was an Associate Creative Director and Copywriter at Publicis North America's New York office. During my 5+ years there, I touched many pieces of business — Red Lobster, Metamucil, Citibank, Hilton Honors, Aflac, Ad Council, Axa, Garnier, Ray Ban, Champion, and Hot Pockets. I've also interned or freelanced at Razorfish, DeVito/Verdi, Merkley + Partners, KBS+, and BBH.
I am often asked how a Yale history major found herself in the wild and wooly world of advertising. A bachelor's thesis on an eponymous vaudeville star (Eva Tanguay, Google her), a few years working in museums, and the dawning realization that what I loved about studying culture could be put to practical application by making it. During evening ad classes at SVA, the New School, and 101 The Ad School, I assembled the body of work that proved my conceptual chops. Marker comps became Photoshops with messy, self-taught layers that landed me in a career I love.